Passage Two

　　Questions 57 to 61 are based on the following passage.

　　One positive consequence of our current national crisis may be at least a temporary shadow in Hollywood's culture of violence. Fearful of offending audiences in the wake of the terrorist attack, some moviemakers have postponed the release of film with terrorist themes. Television writers are delaying scripts with warlike and terrorist scenarios (剧本提纲).It is probably good thinking. My local video store tells me nobody is checking out "disaster" movies. Says the manager, "Currently, people want comedy. They want an escape from stories about violence and terrorism." Similarly, in the music business, there's a run on patriotic and inspirational tapes and CDs.

　　According to The New York Times, the self scrutiny among these czars (特权人物) of mass-entertainment taste is unprecedented in scale, sweeping aside hundreds of millions of dollars in projects that no longer seem appropriate. A reasonable concern is that this might be a short term phenomenon. Once life returns to something more normal, will Hollywood return to its bad old ways? The Times offers a glimmer of hope. The industry's titans (巨头),it suggests, are struggling with much more difficulties, long range questions of what the public will want once the initial shock from the terrorist attacks wears off. Many in the industry admit they do not know where the boundaries of taste and consumer tolerance now lie.

　　This is an opportunity for some of us to suggest to Hollywood where that boundary of consumer tolerance is, especially those of us who have not yet convinced Hollywood to cease its descent into ever lower of the dumbness of our young.

　　The nonprofit Parents Television Council, which monitors the quality of TV programming, says in its latest report that today's TV shows are more laced than ever with vulgarities, sexual immorality, crudities, violence, and foul language. The traditional family hour between 8p.m.and 9p.m., when the networks used to offer programs for the entire family, has disappeared. The problem looks like it will get worse.

　　That certainly looked to be the case before the Sept.11th assault. One pre attack New York Times story reported that TV producers were crusading (讨伐) for scripts that include every crude word imaginable. The struggles between net-work censors and producers, according to the report, were "growing more intense". Producers like Aaron Sorkin of "The West Wing" planned to keep pushing hard. He was quoted as saying,"There's absolutely no reason why we can't use the language of adulthood in programs that are about adults".

　　My guess is that a lot of adults don't use the language Mr. Sorkin wants to use, and don't enjoy having their children hear it. At this moment of crisis in our nation's history, thought has become more thoughtful, prayerful, and spiritual. It may be the time to tell the entertainment industry that we want not a temporary pause in the flow of tastelessness, but a long term clean-up.

　　57. Some filmmakers hesitate to release new films with violent content because       .

　　A) they want to show themselves to be patriots

　　B) they are afraid such films may anger audiences

　　C) films with violence in them are no longer popu1ar

　　D) films with terrorist themes are reflections on violence.

　　58. The "self-scrutiny" in the second paragraph refers to filmmakers attempt to     .

　　A) produce appropriate films with no violent content for the audiences

　　B) prevent themselves from slipping into their old bad ways

　　C) understand to what extent their films have contributed to the national crisis

　　D) find out where the boundaries of taste and consumer tolerance lie

　　59. The author thinks that it is time for the general audience to      .

　　A) tell filmmakers where the boundaries of their taste lie

　　B) point out to Hollywood how bad their films are

　　C) accuse the filmmakers of desensitizing their children

　　D) ask filmmakers to make films that reflect traditional family life

　　60. Which of the following statements is TRUE about Aaron Sorkin?

　　A) He is strongly against using crude language in films.

　　B) He starts the struggles between network censors and producer.

　　C) He insists no restraint be set to the language used in films.

　　D) He believes that it is time to clean up the entertainment industry.

　　61. The author's purpose in writing this passage is      .

　　A) to acknowledge the current practice of the entertainment industry

　　B) to show his admiration for the current practice of the entertainment industry

　　C) to accuse the entertainment industry of their current practice

　　D) to show tolerance of the current practice of the entertainment industry

　　PartV                       cloze                           (15 minutes)

　　Directions: There are 20 blanks in the following passage. For each blank there are four choices marked A),B),C) and D) on the right side of the paper. You should choose the ONE that best fits into the passage. Then mark the corresponding letter on Answer Sheet 2 with a single line through the centre.

　　Public image refers to how a company is viewed by its customers, suppliers, and stockholders, by the financial community, by the communities 62 it operates, and by federal and local governments. Public image is controllable 63 considerable extent, just as the product, price, place, and promotional efforts are. 　　A firm's public image plays a vital role in the 64 of the firm and its products to employees, customers, and to such outsiders 65 stockholders, suppliers, creditors, government officials, as well as 66 special groups. With some things it is impossible to 67 all the diverse publics: for example, a new highly automated plant may meet the approval of creditors and stockholders, 68 it will undoubtedly find 69 from employees who see their jobs 70 .On the other hand, high quality products and service standards should bring almost complete approval, 71 low quality products and 72 claims would be widely looked down upon. 　　A firm's public image, if it is good, should be treasured and protected. It is a valuable 73 that usually is built up over a long and satisfying relationship of a firm with publics. If a firm has learned a quality image, this is not easily 74 or imitated by competitors. Such an image may enable a firm to 75 higher prices, to win the best distributors and dealers, to attract the best employees, to expect the most 76 creditor relationships and lowest borrowing costs. It should also allow the firm's stock to command higher price-earnings 77 than other firms in the same industry with such a good reputation and public image. 　　A number of factors affect the public image of a corporation. 78 include physical 79, contacts of outsiders 80  company employees, product quality and dependability, prices 81 to competitors, customer service, the kind of advertising and the media and programs used, and the use of public relations and publicity.

　　62. A) which         B) what            C) where        D) whom

　　63. A) in            B) within           C) on           D) to

　　64. A) attraction      B) attachment        C) affection     D) generalization

　　65. A) and           B) with             C) as           D) for

　　66. A) converse      B) diverse            C) reverse      D) universe

　　67. A) satisfy        B) treat              C) amuse       D) entertain

　　68. A) so           B) then               C) thus        D) but

　　69. A) support       B) identification        C) compliment  D) resistance

　　70. A) ensured       B) promoted           C) threatened   D) unemployed

　　71. A) because       B) while              C) though      D) when

　　72. A) false         B) fake               C) artificial     D) counterfeit

　　73. A) fortune       B) asset               C) possession   D) property

　　74. A) countered     B) defeated            C) repelled     D) compelled

　　75. A) pay          B) get                 C) order       D) charge

　　76. A) favorite       B) prosperous          C) favorable    D) prospective

　　77. A) rate          B) ratio               C) ration       D) interest

　　78. A) These        B) They               C) That        D) It

　　79. A) appliances    B) equipment           C) devices     D) facilities

　　80. A) on          B) with                C) in          D) along

　　81. A) relative      B) related              C) reliable     D) reconcilable

　　Part Ⅵ                     Translation                   (5 minutes)

　　Directions: Complete the sentences by translating into English the Chinese given in the brackets. Please write your translation on Answer Sheet 2.

　　82. As for Williams,                                                 (他宁愿死也不愿意做这件事). 　　83. Only under special circumstances,                                   (学生才被准许提前毕业). 　　84. It has been proved that                                             (我们的肤色取决于遗传). 　　85. No other reproduction in any form is permitted                          (未经出版社书面同意).

　　86. The environmental effect of this new factory                     (完全可以从周围的田地和河流看出来).

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